Great adaptations tend to be made by and for fans of the books. The people in charge understand what the fans love about the books because they’re fans too. They understand the genre(s), the characters and what makes those particular stories special. They’re often a labour of love - someone adores a book/IP and works hard to bring it to the screen.
Bad adaptations are often made solely for the sake of profit. Someone sees a book that’s popular and thinks they can make money by adapting it to the screen. There’s a pre-existing audience so it’s a lower-risk investment! The shareholders are the ones who need to be appeased - if the fans like it and can be milked for a sequel, that’s just a bonus. Maybe the folk in charge don’t understand the nuances of their source material enough to pick the right creatives to drive it, or maybe they just don’t care, but the wrong people get put in charge. Maybe they even do a good job and create a good film/show but it’s too far away from the plot/spirit of the book so it’s still a disappointment to fans.
The last Dark Tower movie, for example, was garbage. They made a fast-paced action film that was devoid of all the tension, darkness and mystery in the books. I’m cautiously optimistic about Mike Flanagan’s adaption though because a) his adaptations have been pretty good IMO and b) those vibes are his wheelhouse.
Great adaptations tend to be made by and for fans of the books. The people in charge understand what the fans love about the books because they’re fans too. They understand the genre(s), the characters and what makes those particular stories special. They’re often a labour of love - someone adores a book/IP and works hard to bring it to the screen.
Bad adaptations are often made solely for the sake of profit. Someone sees a book that’s popular and thinks they can make money by adapting it to the screen. There’s a pre-existing audience so it’s a lower-risk investment! The shareholders are the ones who need to be appeased - if the fans like it and can be milked for a sequel, that’s just a bonus. Maybe the folk in charge don’t understand the nuances of their source material enough to pick the right creatives to drive it, or maybe they just don’t care, but the wrong people get put in charge. Maybe they even do a good job and create a good film/show but it’s too far away from the plot/spirit of the book so it’s still a disappointment to fans.
The last Dark Tower movie, for example, was garbage. They made a fast-paced action film that was devoid of all the tension, darkness and mystery in the books. I’m cautiously optimistic about Mike Flanagan’s adaption though because a) his adaptations have been pretty good IMO and b) those vibes are his wheelhouse.