They don’t always do amazing work or more like it differs from studio to studio. There are absolute beasts when it comes to animations like Madhouse but there are also a lot of cheaper ones. Also quality can be amazing and horrible withing the same episode, like focus point is one part of a scene and everything else is basically stickmen
Yeah you’re right they aren’t always great. But I still think you get proportionally more good quality ones than in the US. Most Marvel and DC animations look very simple. Castlevania is good though.
Dragonball, maybe the biggest anime of all time had some really goofy derpy animations in DBS. No one is immune I guess. I miss traditional animation. But invincible gets close. And I love the 3d effect the use, reminds me of 90s spiderman, except it’s alot more smooth.
Studio and budget aren’t that important at the professional level what really matters is freelancers and core staff that are working on the project.
Taking Madhouse as an example OPM S1 only looked as good as it did because they managed to get Shingo Natsume as a director and practically every talented animator in the industry flocked to the production just cause they wanted to work with him. Of course studio isn’t irrelevant but it’s far from the most important.
They don’t always do amazing work or more like it differs from studio to studio. There are absolute beasts when it comes to animations like Madhouse but there are also a lot of cheaper ones. Also quality can be amazing and horrible withing the same episode, like focus point is one part of a scene and everything else is basically stickmen
Yeah you’re right they aren’t always great. But I still think you get proportionally more good quality ones than in the US. Most Marvel and DC animations look very simple. Castlevania is good though.
Dragonball, maybe the biggest anime of all time had some really goofy derpy animations in DBS. No one is immune I guess. I miss traditional animation. But invincible gets close. And I love the 3d effect the use, reminds me of 90s spiderman, except it’s alot more smooth.
I hated the weird grappling they did in Return of F lol
Studio and budget aren’t that important at the professional level what really matters is freelancers and core staff that are working on the project.
Taking Madhouse as an example OPM S1 only looked as good as it did because they managed to get Shingo Natsume as a director and practically every talented animator in the industry flocked to the production just cause they wanted to work with him. Of course studio isn’t irrelevant but it’s far from the most important.