“Don’t worry though, we’ll bring your daughter home, dead or alive… We’re the LAPD ma’am. We’ll probably make the right call.”
“Don’t worry though, we’ll bring your daughter home, dead or alive… We’re the LAPD ma’am. We’ll probably make the right call.”
I’m really glad the writers didn’t go with the more obvious/cliche decision of making PC resent Diane due to her own fertility issues. There is a moment where she loses her temper but it’s obvious it was in the heat of the moment. The two don’t have that many moments together but the moments they do have are very strong.
I would have loved to see the conversation between Kelsey and Gina that pushed Kelsey to hire the latter to play Fireflame. Not necessary, but I hope that Gina confided in someone about her experience. I would imagine Kelsey would be understanding of both her fears (and related behavior on set) and her decision to not reveal it to the public.
The duet across time between Honey and Eddie in The Old Sugarman Place.
Probably not. I’m sure she still cares about him in some way, but that doesn’t mean she has to be in contact with him. She lived most of her life without him.
Probably one of my favorite characters in the show tbh.
People already pointed out the obvious ones, but I think Eddie somewhat qualifies since he’s dealing with survivor’s guilt about being the one who pushed his wife to keep flying on the night of her death.
She’s honestly iconic.
Justice for my boy Oxnard.
Surprise! gives me so much joy.